If you go to my vintage sets, part two, you will see that I have added three rather splendid sets today.

Click here to view…

…https://www.spanking-emporium.co.uk/spanking-emporium/?p=19844

Here is one from each set, for a little taster (as the girl in this first one said!)

Enjoy your visit to my vintage section, you will find out why I call myself an emporium! There are sections in sections, inside sub sections. You will find all sorts of things in various places!

Asa

Click here to see more…

…https://www.spanking-emporium.co.uk/spanking-emporium/?p=11257

Enjoy! Asa.

You have already come across this man in my section called ‘Robin’s nest of Spanking Delights’, click here…

…https://www.spanking-emporium.co.uk/spanking-emporium/?p=18882

But his work is so fantastic, that I think it should have its own section in my ‘Spanking Artists Section’, click here…

…https://www.spanking-emporium.co.uk/spanking-emporium/?p=19598

And so on to the man and his erotic sculptures…

BRUNO ZACH: AN ART DECO EROTIC SCULPTOR

Bruno Zach (1891-1935) was an Austrian art deco sculptor of Ukrainian birth who worked in the early C20. His output included a wide repertoire of subjects, but he is best known for his erotic sculptures of young women.

Bruno Zach was born in the Ukraine, but emigrated to Austria as a young man and studied at the Vienna Academy. His styles ranged from art deco, art nouveau, sporting, to orientalism, but he eventually became known as a creator of sculptures featuring tall, athletic, dominating women in bronze and ivory. His erotica sculptures usually featured sexy, dreamy, scantily clad mistresses in stockings, garters, and high heels.

One of his better known sculptures is the sado-masochistic ‘The Riding Crop’. Original period castings of this sculpture have sold for as much as £130,000, one such sale having taken place at the Bonhams auction house in Knightsbridge in 2011

Here are some other dominatrix figurines of his…

Obviously a Domme needs a submissive. Some of these were attributed to him, others were akin to him, but for me, it does not really matter, so let’s relish in….

The Submissive Art of the Erotic Sculptor…

Can you imagine them put together in some erotic diorama, maybe with all sorts of apparatus and racks…

Back to Bruno now, he also did erotic works away from Domination and submission…

One of Zach’s more controversial sculptures, created around in about 1930, was his extremely erotic piece entitled ‘The Hugger’. The sculpture shows a woman hugging a larger-than-life penis. Zach frequently portrayed the seedy side of nightlife in Berlin with many of his sculptures featuring prostitutes…

So give him some love, like this girl hugging her huge penis, and put his name into Google, there are lots of images.

Asa

To see more spanking artists click here and follow the links…

…https://www.spanking-emporium.co.uk/spanking-emporium/?p=10978

Waldo is a contemporary French artist living in Belgium for many years who does F/M and M/F (seldom, F/F) adult spanking art. His artworks are color paintings and often have an erotic touch. Some of them are humorous spanking art, BDSM art or enema art as well. Waldo has had his artwork published in BDSM magazines for 20 years.

Here are some samples, I think he has his own blog page, worth a Google search for lots of images!

To see more of my spanking artists, click here…

…https://www.spanking-emporium.co.uk/spanking-emporium/?p=19598

This is a 1901 English translation of a 1665 French work called La Vie des Dames Galantes, meaning “The Lives Of The Gallant Ladies”.

” I have heard speak of a noble lady of the great world, one of the very noblest of the land. In truth she was a desperate harlot, not content with her natural lubricity, who had been married, and was now widowed, and was a very handsome woman to boot. The better to excite and provoke her passions, she would have her ladies, wives and maids alike, stripped naked, especially the fairest of them, and she did take much naughty pleasure in gazing at them.

Then would she strike them with the flat of her hand on their backsides with loud smacks and spankings, giving them good sound knocks. Girls who had committed some delinquency would be struck with good birch-rods. Then was her contentment great to see them wriggle, and to see all the motions and twistings and turnings of their bodies and bottoms, the which they did exhibit according to the blows they got, and which were right curious and diverting.

At other times, without stripping them, she would have their petticoats tucked up as they were (for in those days they wore no drawers), and would slap and whip them on the buttocks, according to the offence they had done her, or just merely to make them laugh, or cry. And by dint of looking at these parts and studying them, she was used so to sharpen her appetites that afterward she would of times away and satisfy them in good earnest with some good, strong, robust gallant.

I have heard say that, beside the women and girls that were regularly of her suite, such stranger ladies as did come to visit her were in two or three days, or sometimes every time they did come thither, quickly broken in to this same game, making her own women first show the way and tread the road first, then the others after. Whereat some were sore astonished to see this kind of sport, others not. Truly a merry pastime this, and an agreeable one!

I have heard speak likewise of a great nobleman who did find pleasure in gazing at his wife so exposed, whether stripped naked or dressed, and cuffing and slapping her, and watching her move her body to and fro under the blows.

…La Vie des Dames Galantes was illustrated by Paul Emile Bécat, and he seems to have chosen the spanking scene described above for one of his illustrations:c

Paul-Émile Bécat (1885-1960)

was a French painter and illustrator. He is mostly known today for his illustrations of erotic novels.

Bécat was a student of Gabriel Ferrier and François Flameng at the École des Beaux-Arts. In 1913 he exhibitioned at the Salon de Paris, and in 1920 he was awarded first prize in the Prix de Rome.

Returning from his travels to the Congo, Gabon, Ivory Coast, Senegal and the Sudan, he specialised from 1933 in the technique of drypoint in his erotic works.

Follow this link to my other spanking artists…

…https://www.spanking-emporium.co.uk/spanking-emporium/?p=19598

Roland Brévannes was a French author and artist and one of the major contributors to early 20th century French spanking literature. Between 1903 and 1939 he wrote, illustrated and published about 100 erotic fetish novels in French, mostly of flagellation themes. His date of birth and death are so far unknown.

He used the pseudonyms Don Brennus Aléra (an anagram of Roland Brévannes if the letter v is converted to a u) and Bernard Valonnes (also an anagram of Roland Brévannes if the letter é is converted to an e). He is also believed to be the man behind the illustrator names Tack, Esbey and Selby. Most of his works after 1906 were published by Select Bibliothèque in Massy (Seine-et-Oise) from 1906 to 1908 and then in Sceaux (Seine). It is not unlikely that the author and artist who used so many pseudonyms might have also been the publisher.

Brévannes (as Aléra) is perhaps best known for his long-running series of femdom novels beginning with Fred: The True History of a Boy Raised as a Girl (1913), a classic story of male humiliation via forced cross-dressing. This was followed by the sequels Frédérique (1921), Frida (1924), Fridoline (1926), and Lina Frido (1927). The books tell the story of Fred de Montignac, raised by a dominating aunt as a young lady, whom she calls Frédérique. She forces him to wear girl’s clothing and even pierces his ears — see petticoat punishment for more on this topic. Frédérique is still available as a reprint (see below) or in e-book form.

Le Dressage de la Maid-Esclave (1930) offers an early study on pony play — animal roleplaying with women turned into cart-pulling slaves.

Here are some book covers…

And here are some of his illustrations, because forced feminisation was a common theme to his books, there are quite a few, and you will probably not know which. Like she males today, you would have no idea I suppose. Except they are forced to be, and she males want to be!

To see the rest of my spanking artists section, click here…

…https://www.spanking-emporium.co.uk/spanking-emporium/?p=19598

This artist illustrated the Australian Spanking Magazine ‘Paddles’, for eight years…

Lawrence, also known as ArtBoy62, is an English born Australian artist and writer. He was born in 1947 in England and grew up there in the 1950s and 60s. He did a fine art course in college after leaving secondary school, then did his practical training in a London advertising agency. He also lived in Berlin and Paris in the 1970s and 80s, before moving to Sydney.

Here are samples of his work…

Lovely aren’t they. My compliments to him.

Asa

Although this man is being grouped under my spanking artist section, see here…

..https://www.spanking-emporium.co.uk/spanking-emporium/?p=19598

…he is not actually an artist. Although some have said he was, and he probably did some. But he is here for the colossal amount of spanking art he was responsible for being created.

Clyde is the pseudonym of two different French authors of pornographic novels, the first active in the 1930s, the second in the 1950s.

Alan Mac Clyde, Edith Kindler, Joan Spanking and Jean de La Beuque fils are pseudonyms for the author of several pornographic novels published in the 1930s by the Librairie Générale (84, Boulevard Diderot, Paris) and Librairie Artistique et Édition Parisienne Rèunies, imprints of Paul Brenet, a publisher specializing in flagellation and BDSM works.

Robert Mérodack has suggested that behind this pseudonym is hidden Maurice Renard (1875–1939) French author of several science fiction novels among which were Le Docteur Lerne, sous-dieu, Le Péril bleu and Les Mains d’Orlac. His argument is based on a passage of La Reine cravache where Edith Kindler wrote «taxées de fantaisistes que certain auteur français de grand talent accorde à son héros le docteur Lerne, qu’il qualifie de sous dieu.

Alan Mac Clyde or Alan McClyde is the name used in the 1950s by the Paris-publishers of some English-language erotica: Patrick Garnot of Pall Mall Press and Bronislaw Kaminsky, aka Bruno Durocher, of Week End Books both located in 5, rue Git-le-Cœur, Paris.

Here is some of his (their) work. Carlo, see here…

…https://www.spanking-emporium.co.uk/spanking-emporium/?p=21395

…was one of the main artist. As usual, lots of girls in Achilles heel boots and black very tight waisted corsets abound. But look, you can see the arrival of girls as pets. Especially submissive girl pets for Dominant girls…

As you can see, their branch of writing is very much spanking related, but also leaning much more to the B.D.S.M. side of our beloved, erotic interest.

This is only a sprinkling of the work under their names, and I am sure you will find much more if you search. However, I think I have put enough examples to illustrate that the modern version of the Pony Girl, has her roots in these names. Not that they invented it, it has always been around, as these illustrations show…

However, it seems it was a submissive male/Dominant Female thing in the early days, but as we move through the eras, it seems that submissive female/Dominant Female took over (woo hoo!….pleased about that!) and in more modern times Dominant Male/submissive female too….although there is a mix of it all, as you will see.

Through Victorian times…(I love this typically English, rather posh one!)…

To the Music Halls, I must include this in ‘The Inveigle’ story!

Then on to the 1920’s and 1930’s, even the Ostra Studio joined in…there are some lovely Gifs to be found of pony girls in this era, this screen shot is from one I looked at, ….research of course!

And then on to more modern times, as these following ones illustrate…

Traditional ones too…

And back to a 1930’s one. Not changed so much have they? So…

Keep an eye out in the woods! And, if you hear a clip clop clip outside, have a look, it might just be me and my girls trotting by…

“Crack! Crack! Giddy up girls! No slacking!” I shout as we gallop by!

“Owwwwww, yes Mr Jones!”

“Oooooooohhh, yes Mr.Jones!”

And there I go, in a cloud of dust…

See you soon!

Asa